Malena (2000) — movie analysis

SN. Azura
3 min readOct 31, 2023

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Monica Belluci as Malena

The film takes place in a Sicilian town, where a twelve-year-old boy develops a deep attraction to a stunning young woman who has captured the attention of every man in the community. Her husband is away, serving in the Second World War, leaving her to live alone. Malena possesses remarkable beauty and dresses elegantly, setting her apart from the other women in the town. She becomes the object of desire for every man, and her presence sparks envy among the women in the area.

Malena’s father resides in the same town and is employed at the nearby school. News of her husband’s demise in the war spreads, making her the center of town gossip due to her newfound single status. Numerous rumors circulate as a result. The twelve-year-old Renato is infatuated with Malena and constantly spies on her.

Nonetheless, Malena faces tremendous hardships as she is summoned to court over allegations of an affair with an unmarried Air Force officer. Despite her acquittal, her lawyer demands a different kind of payment, subjecting her to unwanted advances. Renato, who witnesses this, is determined to shield her from harm and prays for her safety.

Unexpectedly, the town is struck by a sudden bombing, resulting in the loss of Malena’s father. With her husband and father no longer present, Malena finds herself objectified by the men in town, reduced to a mere source of pleasure.

Malena had always strived to maintain her moral integrity. However, she found herself abandoned, with no one to provide for her. In the eyes of the townspeople, she was reduced to a mere object of desire. Her once-pristine reputation vanished as individuals, unable to win her affection or resentful of their husbands’ admiration for her, spread malicious gossip.

Desperate for sustenance and a means of livelihood, she reluctantly turned to prostitution for survival. But Malena’s journey took a grim turn. One fateful day, the town’s women discovered her presence and subjected her to public humiliation. They forcibly cut her hair, tore her clothes, and subjected her to public shame. With no one to come to her rescue, Malena endured this ordeal as Renato watched helplessly. He later learned of her clandestine departure from the town. But Malena’s husband returns after the war is over. He couldn’t find his wife and his house is occupied by some other family. Renato leaves an anonymous note about Malena’s whereabouts.

Several years later, Malena returns to the same town alongside her husband. She no longer adorns herself in the fancy attire she once did, opting for a plainer and less attractive appearance like the other women in town. Now, she is perceived as a person of integrity, accompanied by her husband, and is greeted with smiles by those who once subjected her to humiliation.

One unsettling aspect of the movie lies in the bitter truth that “women are often pitted against women.” It remains obscured to many that the blame lies with the lecherous inclinations of their husbands, rather than Malena’s desire to appear more fashionable.

The film vividly illustrates the chilling influence of rumors, as they irreparably mar Malena’s entire life. She is left with no alternative path, for the town’s residents have already dictated her destiny. The painful spectacle of men objectifying women, viewing them solely as sources of pleasure, is difficult to witness.

Even when it becomes evident that Malena was coerced into a life of prostitution due to her circumstances, the women still lay the blame at her feet and inflict harm, yet they lack the courage to confront their husbands.

As a final irony, the film depicts a scene where everyone suddenly exhibits respect for Malena and refrains from discussing her, all because she now appears ordinary and poses no threat to their marital lives. They go so far as to address her as ‘madam’ since she now resembles them.

The movie “Malena” is disconcerting because it delves into human psychology, exposing the hostility directed at those who are perceived as different.

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